1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.  Related Paintings of Egon Schiele :. | Male figure from the right | Sailing-ships in trieste harbour | Agony (mk12) | Portrait of Gerta Schiele | Reclining Female Nude (mk12) |
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Theodore Clement Steele
1847-1926 Theodore Clement Steele Galleries Theodore Clement Steele (September 11, 1847-July 24, 1926) was an American Impressionist painter known for his Indiana landscapes. Steele was born in Owen County, Indiana, and later moved to Indianapolis after study in Cincinnati, Chicago and Munich. He is considered to be the most important of the Hoosier Group of painters and his work is widely collected by museums and individuals. Steele earned his living primarily as a portrait painter and his portraits include one of notable Hoosier Poet James Whitcomb Riley and the official portraits of several Indiana governors. Steele exhibited at and was on the art selection for the Louisiana Purchase Exposition in 1904 and was elected to the National Academy of Design in 1913. He enjoyed plein air, or outdoor, painting, which is reflected in many of the landscapes he painted. Steele went through a notable change in style after his return from Munich in 1885. Steele's work, which in the Munich time period sported drab colors and high contrasts, shifted towards a brighter, more vivid color palette after his return to Indiana. Upon T.C. Steele's return, his family lived in the Talbot House, or Tinker Mansion, which is at what is now 16th and Pennsylvania Streets in Indianapolis. In 1898, Steele and J. Ottis Adams bought a home in Brookville, Indiana, which they called "The Hermitage." Steele sold his interest in the home to Adams after the death of his first wife. He received an honorary master's degree from Wabash College in 1900 and an honorary doctorate from Indiana University in 1916.
Lucas van Valckenborch
Flemish Northern Renaissance Painter, 1530-1597
Eastman Johnson
American portrait and genre painter, 1824-1906 American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects